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A book allows for a form of description, and a reserve of description, that lets the words interact with the reader’s imagination to suggest or complete the picture, a picture that will be different with every reader. How the same material may be depicted in one has nothing to do with the other. Even if we disagree on All Boys’ artistic merit, as Brian and I do not, as countless reviewers and readers have not, the book would still be its own work, autonomous from a movie, and could not ever fairly be compared to a movie. To make the obvious point that Brian knows well, a novel or a memoir is its own art form, a film is an entirely different art form. All Boys is written text, without images, and the validity of its presence on library shelves must be discussed exclusively as a book, as text–not as what it would look like in a non-existent film. They wrote a memoir–a confession–not a film. Johnson, who wrote a book, not a screenplay. But that if in there makes it just as much a fabrication, and a patently unfair one to George W. Referring to one of two passages in contention in the book (about 30 to 40 lines in all, out of over 300 pages), Brian wrote: “If the scene is depicted faithfully in a movie, genitals and all, it would be Rated-R, meaning theaters wouldn’t allow children under 17 without a parent.” To be specific: Brian agrees that “ the author’s intent is educational, not erotic, and therefore it’s not pornographic.” But the hinge of his argument–that untenable premise I’m referring to, what allows him to square his circle–is his analogy with film. And I think it makes his argument untenable, because it rests on a premise that is not merely flawed, but that is simply not applicable under any literary sun since Odysseus raised his sword to slay Penelope’s 117 suitors.Įntirely aside from the debate over All Boys, the reasoning shocked me on literary and artistic grounds, because I did not expect it from someone who knows literature, someone who is a writer himself well beyond our grubby journalism, someone who knows the difference between art forms and media, and who knows how apple-and-orange comparisons between these forms is often used to muddy the water and exploit ideological ends that knowingly have nothing to do with the works in dispute. His conclusion surprised me a little, but it didn’t shock me. In Wednesday’s Observer, Brian wrote that he would restrict All Boys even from high school libraries, even though he doesn’t find it pornographic. But at least he knows the difference between the explicit and the prurient, the graphic and the pornographic. Last week on WNZF he said he’d “thrown away multiple books that I thought were going to be good and had explicit things in that I didn’t want to read myself.” How he and I on endless occasions have had orgasmic talks or texts about the liver-caressing thrills of Philip Roth and John Updike, I don’t know. He’s also the only newspaper editor in the history of newspaper editors who doesn’t cuss. I read with great interest Observer Editor Brian McMillan’s take on the appropriateness of George Johnson’s All Boys Aren’t Blue in high school libraries.īrian is that rarity among newspaper editors in that he’s very well read.
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The image bears the marks of redactions of Petocz’s address. The boxes contained four titles that Woolbright flagged and asked the district to review. The mounds of donated books that Jack Petocz, a Flagler Palm Coast High School students, found at his doorstep earlier this week when he organized a protest of School Board member Jill Woolbright’s attempt to ban certain books from school libraries.